Subtitle "Afrikaans" was produced by machine.Subtitle "አማርኛ" was produced by machine.Subtitle "العربية " was produced by machine.Subtitle "Ārāmāyâ" was produced by machine.Subtitle "azərbaycan dili " was produced by machine.Subtitle "беларуская мова " was produced by machine.Подзаглавието "България" е създадено от машина.Subtitle "বাংলা " was produced by machine.Subtitle "བོད་ཡིག" was produced by machine.Subtitle "босански" was produced by machine.Subtitle "català" was produced by machine.Subtitle "Cebuano" was produced by machine.Subtitle "ગુજરાતી" was produced by machine.Subtitle "corsu" was produced by machine.Podtitul "Čeština" byl vytvořen automaticky.Subtitle "Cymraeg" was produced by machine.Subtitle "Dansk" was produced by machine.Untertitel "Deutsch" wurde maschinell erzeugt.Subtitle "Untertitel" was produced by machine.Subtitle "Ελληνικά" was produced by machine.Subtitle "English" was produced by machine.Subtitle "Esperanto" was produced by machine.El subtítulo "Español" se generó automáticamente.Subtitle "Eesti" was produced by machine.Subtitle "euskara" was produced by machine.Subtitle "فارسی" was produced by machine.Subtitle "Suomi" was produced by machine.Le sous-titre "Français" a été généré automatiquement.Subtitle "Frysk" was produced by machine.Subtitle "Gaeilge" was produced by machine.Subtitle "Gàidhlig" was produced by machine.Subtitle "Galego" was produced by machine.Subtitle "Schwizerdütsch" was produced by machine.Subtitle "هَوُسَ" was produced by machine.Subtitle "Ōlelo Hawaiʻi" was produced by machine.Subtitle "עברית" was produced by machine.Subtitle "हिन्दी" was produced by machine.Subtitle "Mẹo" was produced by machine.Subtitle "Hrvatski" was produced by machine.Subtitle "Kreyòl ayisyen " was produced by machine.Subtitle "Magyar" was produced by machine.Subtitle "Հայերեն" was produced by machine.Subtitle "Bahasa Indonesia " was produced by machine.Subtitle "Asụsụ Igbo " was produced by machine.Textun"Íslenska" var framkvæmt vélrænt.Sottotitoli "Italiano" sono stati generati automaticamente.Subtitle "日本語" was produced by machine.Subtitle "Basa Jawa" was produced by machine.Subtitle "ქართული" was produced by machine.Subtitle "қазақ тілі " was produced by machine.Subtitle "ភាសាខ្មែរ" was produced by machine.Subtitle "ಕನ್ನಡ" was produced by machine.Subtitle "한국어" was produced by machine.Subtitle "कोंकणी語" was produced by machine.Subtitle "کوردی" was produced by machine.Subtitle "Кыргызча" was produced by machine.Subtitle " lingua latina" was produced by machine.Subtitle "Lëtzebuergesch" was produced by machine.Subtitle "Lingala" was produced by machine.Subtitle "ພາສາ" was produced by machine.Subtitle "Lietuvių" was produced by machine.Subtitle "Latviešu" was produced by machine.Subtitle "fiteny malagasy" was produced by machine.Subtitle "te reo Māori" was produced by machine.Subtitle "македонски јазик" was produced by machine.Subtitle "malayāḷaṁ" was produced by machine.Subtitle "မြန်မာစာ " was produced by machine.Subtitle "Монгол хэл" was produced by machine.Subtitle "मराठी" was produced by machine.Subtitle "Bahasa Malaysia" was produced by machine.Subtitle "Malti" was produced by machine.Subtitle "ဗမာစာ " was produced by machine.Subtitle "नेपाली" was produced by machine.Subtitle "Nederlands" was produced by machine.Subtitle "Norsk" was produced by machine.Subtitle "chiCheŵa" was produced by machine.Subtitle "ਪੰਜਾਬੀ" was produced by machine.Subtitle "Polska" was produced by machine.Subtitle "پښتو" was produced by machine.Subtitle "Português" was produced by machine.Subtitle "Română" was produced by machine.Subtitle "Язык жестов (Русский)" was produced by machine.Субтитры "Pусский" были созданы машиной.Subtitle "Kinyarwanda" was produced by machine.Subtitle "सिन्धी" was produced by machine.Subtitle "Deutschschweizer Gebärdensprache" was produced by machine.Subtitle "සිංහල" was produced by machine.Subtitle "Slovensky" was produced by machine.Subtitle "Slovenski" was produced by machine.Subtitle "gagana fa'a Samoa" was produced by machine.Subtitle "chiShona" was produced by machine.Subtitle "Soomaaliga" was produced by machine.Subtitle "Shqip" was produced by machine.Subtitle "србски" was produced by machine.Subtitle "Sesotho" was produced by machine.Subtitle "Basa Sunda" was produced by machine.Undertext "Svenska" är maskinell skapad.Subtitle "Kiswahili" was produced by machine.Subtitle "தமிழ்" was produced by machine.Subtitle "తెలుగు" was produced by machine.Subtitle "Тоҷикй" was produced by machine.Subtitle "ภาษาไทย" was produced by machine.Subtitle "ትግርኛ" was produced by machine.Subtitle "Tagalog" was produced by machine.Subtitle "Türkçe" was produced by machine.Subtitle "татар теле" was produced by machine.Subtitle "Українська " was produced by machine.Subtitle "اردو" was produced by machine.Subtitle "Oʻzbek" was produced by machine.Subtitle "Tiếng Việt" was produced by machine.Subtitle "Serbšćina" was produced by machine.Subtitle "isiXhosa" was produced by machine.Subtitle "ייִדיש" was produced by machine.Subtitle "Yorùbá" was produced by machine.Subtitle "中文" was produced by machine.Subtitle "isiZulu" was produced by machine.

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28.09.2019

50 лет Вудстоку: легенда хиппи или эксперимент с социальной массой?

Многие помнят картины легендарного движения 60-х годов: демонстрации за мир, новая музыка, красочная одежда, секс и наркотики, а также легендарный Вудстокский фестиваль. Очевидно, хиппи-движение было новым началом, рожденным молодыми людьми. Но есть конкретные признаки того, что эта так называемая контркультура долгое время планировалась и контролировалась и что инструментализировалась именно молодежь... [weiterlesen]

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28.09.2019 | www.kla.tv/14971

15 августа 2019 года исполнилось 50 лет легендарному Вудстокскому фестивалю в штате Нью-Йорк. Летом 1969 года более 400 000 человек совершили паломничество на трехдневный музыкальный фестиваль, который и по сей день считается кульминацией хиппи-движения. Распространенным при помощи СМИ представлением о движении 1968 года является то, что бунтарская молодежь США протестовала против внешней политики и военной деятельности поколения отцов и пыталась создать для себя совершенно новый образ жизни. Проявлениями этого так называемого молодежного движения были, например, мирные демонстрации, новая музыка, красочная одежда, сексуальная свобода и наркотики, а также легендарный Вудстокский фестиваль. Многие до сих пор помнят эти образы. Их всегда преподносят как самоопределение молодежи, как так называемую контркультуру. Но была ли эта контркультура действительно такой самоопределившейся? Автор Робин де Рюйтер в своей книге "Приманка сатанинского культа" убедительно описывает, что эта контркультура 60-х годов прошлого века была прежде всего масштабным социальным массовым экспериментом, проведенным ЦРУ, британской секретной службой МИ-6 и Тавистокским институтом над обществом того времени. Тавистокский институт человеческих отношений - это научно-исследовательский институт социальных наук, который начал свою деятельность в 1913 году в Веллингтонском доме в Лондоне (Британский отдел военной пропаганды). Задача Тавистокского института состояла в разработке пропагандистских приемов психологической войны для направления общественного мнения в определенное русло. Первоначально организация финансировалась английской королевской семьей, затем, в частности, фондами Ротшильдов и семьи Рокфеллеров. Тавистокским институтом были созданы новые понятия, такие как "тинейджеры" и "поколение битов", "хиппи" или "дети цветов", которые в основном повлияли на движение 1968 года. С этими понятиями сформировалась и новая молодая группа населения, которая была совершенно иной, оторванной от существующих норм, и, по мнению де Рюйтера, должна была послужить для раскола поколений. Кроме того, для проведения социального массового эксперимента использовался необычайно эффективный препарат, изменяющий сознание, который в то время еще не был запрещен - ЛСД, производившийся швейцарской фармацевтической компанией Sandoz AG. Так, галлюциногенные препараты, такие как ЛСД, распространялись среди посетителей Вудстокского фестиваля 1969 года и подмешивались в напитки, превращая тысячи ничего не подозревающих жертв в бушующих психотиков. По окончании Вудстокского фестиваля было зарегистрировано в общей сложности 5000 чрезвычайных происшествий. Даже Джон Леннон, певец и гитарист британской рок-группы The Beatles, незадолго до смерти упомянул в интервью журналу Playboy, что некоторые наркотики, такие как ЛСД, распространялись намеренно в обществе, чтобы вызвать социальный хаос и крах общества в целом. Робин де Рюйтер в своей книге описывает, что рок-концерты того времени служили массовому привлечению молодого поколения к контркультуре, потворствующей наркотикам и свободному сексу. Он называет хиппи-активиста и клоуна Вейви Грейви одним из главных координаторов эксперимента Вудстока. Грейви был членом творческой группы «Веселые шутники», которая путешествовала по США в ярко раскрашенном школьном автобусе с целью организации ЛСД-мероприятий и сформировала целое поколение, ориентированное на развлечения, хаос и наркопоходы. Грейви, как говорят, работал на ЦРУ и был официально ответственен за безопасность фестиваля в Вудстоке со своим хиппи-сообществом "Свиная ферма". По словам де Рюйтера, во всю контркультуру, включая рок-музыку, внедрились приспешники спецслужб. Философ д-р Клаудиа Симона Дорхейн тоже исследовала легендарное движение 68-х. Она так же пришла к выводу, что это была программа влиятельных людей, которые, очевидно, хотели проверить, в какой степени они могут запрограммировать слои населения на бессилие. При этом высшей точкой манипулирования является то, когда поколение подростков, на которых проводился этот социальный эксперимент, преднамеренное влияние на свои решения ложно принимает за свободу.

от nm./ham.